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Netflix's Unexpected Latest Undead Movie Breathes Fresh Air into a Overused Style

For the most part, I've had my fill of apocalyptic horror. While classics like 28 Days Later and the early episodes from The Walking Dead proved gripping, the genre seems mostly exhausted at this point. Even the highly anticipated 28 Years Later has been gathering dust on my to-watch queue for some time. But, Netflix's new Southeast Asian zombie flick, The Elixir, managed to subvert what I anticipated turning out remarkably entertaining.

Superb Rhythm and Character Growth

One of this movie's greatest strengths lies in the superb pacing. It begins using a memorable initial scene where a peaceful family party gets suddenly interrupted when a van crashes into the guest area. Out of the van, a very zombie-like stranger emerges proceeding assaulting the attendees. This intense moment is then followed by a flashback, giving viewers to observe this household before the disaster occurred.

Unlike numerous undead movies, The Elixir actually allows the audience sufficient time to become acquainted with its main personalities before the chaos ensues. We meet Nes, a married mother whose former close friend, Karina, has become married to her dad—an obviously uncomfortable dynamic. Naturally, this has predictably led to a rift among Nes and Karina. Then there's Nes' brother, Bang, who is kind-hearted but a bit inept socially, and who loves playing video games alongside his nephew, Raihan. Her spouse, Rudi, seems to have recently cheated on her. This household patriarch consists of her dad, who runs a well-known natural medicine business named Wani Waras, and he appears to care about just two things: his work and his marriage to Nes' former best friend. Needless to say, this gathering proves extremely strained.

Invested in the Drama

I became so invested in the family's dynamics along with their personal conflicts that I nearly overlooked this was a horror film—something that could seem like a negative, but in the end paid off. The Elixir spends a significant portion of the film depicting us who each relative represents, plus the ways they contribute to the general dysfunction. This emphasis on conflicting personalities enabled the audience to relate to the personalities enough to care about their outcome—an uncommon feat for this style that often presents characters only to kill them off shortly afterwards. The Elixir doesn't treat its cast as flat, expendable casualties for an army of zombies to consume, so it's a real surprise once events finally go wrong.

Reminiscent of Parasite

The initial sequences of the party and the multiple family interactions actually bring to mind the film Parasite, a story which disguises itself as a Korean drama with slightly dark humor before making a sudden turn into "holy shit" ground. These introductory scenes don't focus as much on comedy as Parasite, but The Elixir nonetheless gives enough opportunity to settle into the setting prior to everything gets upended.

Unique Zombification Origin

The film also offers a fairly intriguing reason for the source of the contagious transformation. Rather than a unintended laboratory incident or a type of biological weapon, the cause of this contagious disease originates in a new sample from Wani Waras herbal remedies created by Nes' father. While some background is provided something regarding how it started, it would have been better if the movie devoted a little more time on how Wani Waras went from a reputable supplier of natural treatments to producing a lethal elixir that appears to contain a highly contagious virus. Despite the lack of context, the effect this condition has on people proves utterly disgusting, which I appreciate. The Elixir's undead prove quick, freaky-looking, and, perhaps worst of all, always smiling. This is a bold decision, yet it works. The Elixir's practical effects and computer graphics also appear quite realistic, and are almost guaranteed to provoke one's trypophobia.

Resourceful Personalities

More impressive than the gross-out moments is the cast themselves. Of course, we see a few instances of questionable choices (as in any good zombie movie), however generally, Nes and her family are inventive and quick-thinking. Additionally, they aren't afraid to kick a zombie in the head, pierce it with a pitchfork, or beat it over the head with the nearest heavy object they find rather than freezing like a deer caught in lights while danger nears.

Realistic Familial Strike

The Elixir doesn't drop its themes on family conflict once individuals begin transforming into zombies, which was a pleasantly authentic deviation from that "We don't get along|"We have issues, but you almost died so I instantly forgive you for all your mistakes!" cliché often seen in apocalyptic films. Obviously, Nes cares for her family and values her husband, Rudi, but it's also apparent she remains holding onto resentment regarding his infidelity of their marriage vows. Once the household becomes split up, they decide via telephone to regroup at a close spot. But when Bang reveals he doesn't know the way to the location, Nes expresses an immense amount of frustration toward Bang which has obviously been building over time. Nes isn't flawless, and her family—with all their imperfections—seem realistic and relatable since the movie doesn't try to push the idea that a near-death experience instantly cures familial strife. This makes the moments where these individuals express appreciation toward one another seem much more sincere.

Predictable Ending

Despite The Elixir's best attempts to break new ground, the ending is admittedly somewhat formulaic. The Elixir doesn't truly presenting any deep message regarding relatives or community, as well. Rather, it's primarily serving up frights. Yet these are successful frights, and because the film allows every personality sufficient space to develop and avoids penalizing them for having flaws, the outcome proves a captivating and enjoyable

About the author

Peter Garcia

A seasoned gambling analyst with over a decade of experience in online casinos and game reviews.

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